Author: Adi Robertson
Warner Bros.
Movies and TV have a notoriously tough time depicting video games. They tend toward presenting games as either generic arcade titles or as impossibly full-featured virtual realities, neither of which captures the typical experience of playing one. But The Matrix Resurrections, a film that’s all about virtual reality, has managed one of my favorite takes on it yet by embracing its own world’s unrealism.
Below, I’m going to talk about a few specific plot points from The Matrix Resurrections, which premiered yesterday in theaters and on HBO Max. It’s a movie I found a lot of problems with but that many of my colleagues at other publications enjoyed, and if you don’t want some light spoilers, you should stop reading now.
All right. Let’s...
Continue reading…
Continue reading...
Warner Bros.
Movies and TV have a notoriously tough time depicting video games. They tend toward presenting games as either generic arcade titles or as impossibly full-featured virtual realities, neither of which captures the typical experience of playing one. But The Matrix Resurrections, a film that’s all about virtual reality, has managed one of my favorite takes on it yet by embracing its own world’s unrealism.
Below, I’m going to talk about a few specific plot points from The Matrix Resurrections, which premiered yesterday in theaters and on HBO Max. It’s a movie I found a lot of problems with but that many of my colleagues at other publications enjoyed, and if you don’t want some light spoilers, you should stop reading now.
All right. Let’s...
Continue reading…
Continue reading...